deity, mantra, & wisdom
___________________________________________________________
pp. 68-74 = I. Jigme Lingpa : "Ladder to Akanis.t.ha".
pp. 69-74 the 5 kaya-s
p. |
# |
__-kaya |
its manifestation |
69 |
1st |
vajra |
"natural luminosity" |
2nd |
abhi-sam-bodhi |
"blossomed’ |
|
70 |
3rd |
dharma |
"new moon" |
71 |
4th |
sam-bhoga |
heaven’s "palaces, thrones" |
72 |
[4 + ½ ] |
½ sam-bhoga, ½ nis-mana |
deities’ "retinues" |
5th |
nis-mana |
"teachers" |
--------------------------------------------------------------------------------
pp. 24-67 = II. Patrul Cho:kyi Wangpo : "Clarifying the Difficult Points in the Development Stage and Deity Yoga". [commentary on :- "Ladder to Akanis.t.ha".]
p. 65 energies entering the central channel & their ordinary signs
energy |
its sign |
its appearance |
earth |
smoke |
"hazy" |
water |
mirages |
"shimmering" |
fire |
fireflies |
"flashing" |
wind |
candle-flames |
"orange" |
space |
space |
"sections of a cloudless sky" |
------------------------------------------------------------------------------
pp. 94-96 = III. Patrul Cho:kyi Wangpo : "Fortress, Praecipice, and Life-Force".
p. 95 the 3 visualizations
transmission of __ |
appearance |
gathered (/ transformed) into__ |
life |
"sparrow’s head" |
"tip of the kila dagger" |
purification |
"white ... syllable" |
"sphere of light" |
place |
"heart of the heruka" |
"son in the space of the mother" |
p. 96 the 5 manifestations of enlightenment
"New Schools" |
rN~in-ma |
||
# |
enlightenment as __ |
# |
manifestation |
1st |
waterlily-&-moondisk seat |
1st |
moon disk |
2nd |
syllables of speech |
2nd |
sun disk |
3rd |
implements of mind |
3rd |
implement |
4th |
sphaere of light |
||
4th |
complete form |
5th |
complete form |
5th |
wisdom-being |
----------------------------------------------------------------------------
pp. 99-151 = IV. Getse Mahapan.d.ita Tsewang Chokdrup : "Husks of Unity".
p. 108 offerings within "vast, open, self-existing skull cup"
direction |
flesh of __ |
substance |
middle |
human |
faeces |
east |
ox |
semen |
south |
hound |
brain |
west |
horse |
ova |
north |
elephant |
urine |
{brain may be assigned to hound on account of hydrophobia (rabies)}
p. 116 structures in caelestial palace
structure |
its composition |
pillars |
8 great gods |
beams |
8 great naga-s |
ceiling |
28 lunar mansions |
skylight |
8 planets |
lattices & tassels |
snakes & skulls |
architraves |
ornamented with fingers etc. |
ledge |
backbones |
roof |
hollow skull of Maha-deva |
banners & canopies |
human skin |
pp. 134-138 the 4 styles of recitation
p. |
# |
practice |
__ recitation |
similitude |
134-6 |
1st |
approach |
arranged |
moon with garland of stars |
136-7 |
2nd |
close approach |
palanquin |
whirling firebrand |
137 |
3rd |
accomplishment |
projection-&-absorption |
royal messenger |
138 |
4th |
great accomplishment |
broken beehive |
broken beehive |
pp. 134-138 mantra-chains in the 4 styles of recitation
style |
mantra-chain |
arranged |
within "translucent dome" (p. 134) around heart {i.e., pericardium} : "For mantras that spin in a clockwise direction, the syllables face outward." (p. 135) "Other mantra chains spin in a counterclockwise direction. With these, the syllables ... should face inwards ... being read from the inside." (p. 136) "Mantra chains" : "Generally ..., for male deities they spin clockwise and for female deities counterclockwise." (p. 136) {Generally, male deities would be scrutinized by women from an outside vantage; female deities would be ogled by men from an inner viewpoint.} |
palanquin |
"The mantra chain gradually emerges from the mouths of the wisdom beings and the samaya being and enters the mouth of the female consort. {The woman provided with food or drink by men.} It then proceeds through her body and emerges {is pissed out?, and/or given birth to?} from her lotus {vulva}, where it enters the path of the male consort’s secret place and travels upward." (p. 137) {Is the "secret place" in this case the navel as entry for nutriment via the umbilical cord?} |
projection-&-absorption |
"light streaming out from the mantra chain, filling the entirety of space and ... touching all the six classes of beings found in the three realms." (p. 137) |
broken beehive |
"limitless rays of light stream forth from the deity and mantra chain, purifying the entire universe into luminosity and transforming it into a pure celestial palace." (p. 138) |
p. 139 substances for beads of rosaries
substance |
conch |
gold |
coral |
iron & turquoise |
zi & agate |
clay & seeds |
apricot-seeds |
soapberry |
naga, garud.a-beak, & raks.a |
bodhi-seeds |
bodhi-wood & kyenyen-wood |
mulberry-wood |
red-sandalwood & tamarisk |
teak-wood & thorns |
barlo-wood |
ivory |
clay balls |
stone |
medicine |
"great bone" |
p. 140 multiplication of benefits by substances of rosaries
substance |
multiply by factor of __ |
{reason for that #} |
iron |
2 |
{2 poles of magnet} |
copper |
4 |
{4 phases of alternating current} |
ru-raks.a |
2 kot.i |
|
pearl |
100 |
|
"Indra’s seed" |
1,000 |
{1,000 vulvae viewed by eyen of Indra } |
silver |
laks.a |
|
ruby |
100 kot.i |
|
putra-jiva (bodhi-seed) |
infinite |
p. 141 finger of left hand, used with along thumb for counting beads on rosary for various purposes – according to the Vajra-kut.a Tantra (‘Thunderbolt-Peak Loom’)
finger |
purpose of prayer |
index |
peaceful |
middle |
enriching |
ring |
magnetizing |
little |
wrathful |
---------------------------------------------------------------------------------
pp. 156-158 = Appendix A. Padmasambhava : "Practical Advice".
pp. 157-158 the 5 kinds of experiences in visualizing deities
p. |
# |
experience |
visualization clear for __ |
similitude |
157 |
1st |
movement |
(unsettled thoughts) |
waterfall |
2nd |
attainment |
short time |
small pond |
|
3rd |
habituation |
1/6th of session |
flow of river |
|
4th |
stability |
entire session |
mt. Su-meru |
|
157-8 |
5th |
perfection |
alway, with horripilation |
__________________________________________________________
Jigme Lingpa; Patrul Rinpoche; Getse Mahapan.d.ita : Deity Mantra and Wisdom. Snow Lion Publ, Ithaca (NY) 2006.