"A Study of Visionary Buddhism in Tibet"
the 3 classes of brgyud (‘transmission’) |
their subdivisions |
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name (p. 65) |
signification |
name |
signification |
rin (‘successive’) |
"taught by master to disciple in a long and unbroken succession" (p. 62) |
bka>-ma (‘spoken’) (p. 62) |
[philosophy is declaimed openly] |
sn~an (‘whispered’) (p. 65) |
[secret dharan.i-s are whispered confidentially] |
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gter-ma (‘treasure’) |
"which was "discovered"" (p. 63) |
sa (‘earth’) |
"unearthed from the ground" (p. 63) |
dgons (‘mental’) |
"appeared spontaneously in the consciousness of the visionary" (p. 63) |
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rjes-dran (‘remembered’) |
"memory of a past life" (p. 63) |
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yan (‘hidden’) |
"rehidden for rediscovery" (p. 63) |
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n~e (‘direct’) |
revelatory encounter with deity (p. 64) |
dag-snan (‘pure vision’) (p. 64) |
account of such visionary experience |
p. 84 the sections of the 3 inner vehicles
the 3 inner vehicles |
__-sde (‘__ section’) |
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Bodish name |
Samskr.ta name |
name |
contents |
bskyed-pa |
maha- |
rgyud (‘scripture’) |
Guhya-garbha Tantra |
sgrub (‘practice’) |
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anu- |
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ati- |
sems (‘mind’) |
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klon (‘experience’) |
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man-nag (‘guidance’) |
p. 88 the 3 broad classes of secondary literature
lo-rgyus (‘history’) |
khrid (‘exegesis’) |
n~ams-len (‘praxis’) |
p. 88 practical genres
sgrub-thabs (visualization-instructions) |
dban-bskur (initiation-rites) |
rjes-gnan (permission-granting) |
brgyud->debs (lineage-supplications) |
p. 215 special praeliminary practices
guru-yoga |
Su-meru man.d.ala-offering |
100-syllable mantra of Vajra-sattva |
pp. 238-239 the 4 drva-ba (= [Skt.] jala) ‘nets’
# |
in the __ |
__ drva |
1st |
bskyed-rim (‘production stage’) |
snan-ston (‘appearance-emptiness’) |
2nd |
rlun dan gtum-mo (‘breath & heat’ [yoga-s]) |
gsal-ston (‘clarity-emptiness’) |
3rd |
thabs-lam (‘efficacious path’) |
bde-ston (‘bliss-emptiness’) |
4th |
rdzogs-pa chen-po (‘great perfection’) |
ye-s`es (‘primordial awareness’) |
Janet Gyatso: A Literary Transmission of the Traditions of Thang-stong rGyal-po. Ph.D., U. of CA at Berkeley, 1981.